Cannes: A young girl’s experience of puberty gets the body-horror treatment in Amanda Nell Eu’s playfully rebellious “Tiger Stripes”, the first feature by a Malaysian female director to premiere at the Cannes Film Festival. FRANCE 24 spoke to Eu about the making of the movie and its universal message.
A bold and stirring debut feature, “Tiger Stripes” offered an original take on the experience of menstrual metamorphosis – and a welcome distraction from the relentless rain that has dampened the mood here in Cannes.
Its Cannes screening, part of the Critics’ Week sidebar, was met with warm applause from a large and varied audience that included teenage pupils on a school outing.
One student said she saw a “universal message” in the film, noting that “difference isn’t always accepted – in France, too”. Another said it was important that male students saw it as well, though joking that “the boys in the class probably didn’t get the message”.
There are hardly any male characters in this female-centred movie, aside from a sweet but apathetic father and a charlatan guru who takes it upon himself to “drive the monster” out of the film’s menstruating protagonist – live on social media.
“Tiger Stripes” is powered by an exhilarating trio of TikTok-savvy first-time actresses whom Eu and her casting director initially reached out to on social media, owing to Covid-19 restrictions.
Set largely in the strict environment of a Muslim school for girls, it explores the wildly shifting dynamics at play between feisty 12-year-old Zaffan (Zafreen Zairizal) and her two best friends once she gets her period and starts experiencing other, frightening bodily changes that lead to her ostracisation.
Rejecting or taming the “monster” in Zaffan is as cruel as it is futile, the movie points out, in a defiant call to lift taboos on the female body and sexuality.